Plays
Theater
  • The last ciclist [El último ciclista]
    Directed by: Isaac Slomianski. 2012.
  • Wajdi Mouawad´s two short stories [Dos historias breves de Wajdi Mouawad].
    Directed by: Hugo Arrevillaga. 2012.
  • Closer by Patrick Marber.
    Directed by Gabriel Vera. 2011.
  • Mirrors [Espejos]. Collective creation.
    Scenic exhibition coordinated by Gerardo Trejoluna. 2011.
  • Breath [Respira]  by Eduardo Adrianzén.
    Directed by Carla Lorena Bauche. 2011.
  • Iphigenia in Tauris  [Ιφιγένεια εν Ταύροις ]  by Euripides.. Adaptation by Luis Ayhllón.
    Directed by Despina Panagiotopoulou.
  • Public disorder  [Désodre public]  by Evelyne de la Chenelière.
    Directed by Hugo Arrevillaga. 2011 y 2009.
  • A moon for the forgotten  [Una luna para los olvidados]  by Gabriel Vera.
    Based on Eugene O´Neill´s A moon for the misbegotten.
    Directed by Gabriel Vera. 2010.
  • That call to desire  [Ese llamado al deseo]  by Gabriel Vera.
    Based on Tennessee Williams’ A streetcar named desire.
    Directed by Gabriel Vera. 2010 and 2009.
  • Being mortal sometimes turns a man odd 
    [Ser mortal a veces vuelve raro a un hombre]  by Raymundo Elizondo.
    Based on two Henry Charles Bukowski´s poems:  Two toughs and  Begging.
    Directed by Ignacio Flores de la Lama. 2009.
  • Clemencia by Gabriel Vera.
    Directed by Gabriel Vera. 2009.
  • Willy Protagoras locked up in the toilet 
    [Willy Protagoras enfermé dans les toilettes]  by Wajdi Mouawad.
    Directed by Hugo Arrevillaga. 2008.
  • Knife  [Couteau]  by Wajdi Mouawad.
    Directed by Hugo Arrevillaga. 2007.
  • Mastercard by Alejandro Román.
    Theater Festival for the Resistence. Posadas, Argentina.
    2nd Theater and Dance Festival. La Plata, Argentina.
    Directed by Alejandro Román. 2007.
  • The Invasion  [La invasión]  Dramatization.  Presentation of Ignacio Solares´s book.
    Directed by Óscar Ulises Cancino. 2005.
  • Two chatterboxes  [Los habladores]  by Miguel de Cervantes Saavedra.
    Directed by Óscar Ulises Cancino. 2006.
  • Absolut by Alejandro Román.
    Directed by Alejandro Román. 2005.
  • The bastard yellow rat  [La rata bastarda amarilla]  by Alejandro Román.
    Directed by Mauricio Garmona. 2005.
  • Last seeds  [Últimas simientes]  by Enrique Olmos de Ita.
    Directed by Ricardo Rodríguez. 2005.
  • The 3 ½  Floppies girls  [Las chicas del 3 ½  Floppies]  by Luis Enrique Gutiérrez Ortiz Monasterio.
    Directed by Hugo Arrevillaga. 2004.
  • A reading of Salvador Novo´s poems.
    Guided by Carlos Monsiváis. 2004.
  • The third Faustus  [El tercer Fausto]  by Salvador Novo.
    Directed by Juan Ramón Góngora Alfaro. 2004.
  • The red path to Sabaiba  [El camino rojo a Sabaiba]  by Óscar Liera.
    Directed by Sergio Galindo. 2004.
  • Moctezuma II by Sergio Magaña.
    Directed by José Ramón Enríquez. 2003.
  • Pedro and the captain  [Pedro y el capitán]  by Mario Benedetti.
    Directed by Juan Carlos Cuéllar. 2003.
  • Life is a dream  [La vida es sueño]  by Pedro Calderón de la Barca (fragments).
    CUT Exam junior year.
    Directed by Jorge Ávalos. 2003.
  • Manuela by Abigail Medina.
    Directed by Fernando Martínez Monroy. 2002.
  • Betrayal by Harold Pinter. CUT Exam sophomore year.
    Directed by Gilberto Guerrero. 2002.
  • Sacred fog  [Niebla sagrada]  Collective creation by the CUT’s 2000-2004 generation.
    Directed by Jorge Ávalos.  2001.
  • The lady of the camellias  [La dama de las camelias]  by Sergio Magaña.
    Fifth International Festival of Higher Education Schools of Theater.  ENAT 2001.
    Directed by Jorge Ávalos. 2001.
  • The daughter of the air  [La hija del aire]  by Pedro Calderón de la Barca.
    CUT Exam freshman year.
    Adaptation by Eduardo Contreras Soto.
    Directed by Óscar Ulises Cancino and  Eduardo Contreras. 2001.
  • Lysistrata  [Λυσιστράτη]  by Aristophanes (fragment).
    CUT Exam freshman year.
    Directed by Óscar Ulises Cancino y Eduardo Contreras Soto. 2000.
  • The Eumenides  [Ευμενίδες ]  by Aeschylus (fragment).
    CUT Exam freshman year.
    Directed by Óscar Ulises Cancino y Eduardo Contreras Soto. 2000.
  • The invention of Dynamo  [La invención de Dynamo]  by Raymundo Elizondo.
    Directed by Raymundo Elizondo. 1999.
  • The feast  [El banquete]  by Jesús Mario Lozano.
    Nuevo León Theater Festival.
    Directed by Jesús Mario Lozano. 1999
  • Border, fugue for eight actors  [Frontera, fuga para ocho actores]
    Nuevo León Theater Festival.
    Directed by Dardo Aguirre. 1998.   
  • The Lady in it’s balcony  [La señora en su balcón]  by Elena Garro.
    Directed by Hugo Arrevillaga. 1996.
  • The carp  [La carpa]  by Vicente Leñero.
    Directed by Alejandro Melchor. 1996.
  • 20th century mankind  [Hombre del siglo XX]  by Carlos Jiménez
    Directed by Carlos Jiménez. 1995.
  • The doctor in spite of himself  [Le médecin malgré lui]  by Molière.
    Directed by David Gómez. 1995.
  • God by Woody Allen.
    Directed by David Gómez. 1995.
  • The mirror  [El espejo]  by Emilio Carballido.
    Directed by David Gómez. 1994.

"I believe in the immortality of the Theatre, it is a most joyous place to hide, for all those who have secretly put their childhood in their pockets and run off and away with it, to play on to the end of their days."

Max Reinhardt